jueves, 29 de julio de 2010

Zev – Dont Break It


link:

http://hotfile.com/dl/58369741/c00e4c6/Zev-Dont_Break_It-(WLM11)-www-minitech-ws.rar.html


Artist …… : Zev
Title ……. : Don’T Break It
Genre ……. : Tech House, Deep House
Label ……. : Wolf & Lamb Records
Source …… : WEB
Quality ….. : 320kbps avg / 44.1KHz / Joint Stereo
Ripdate ….. : 30-07-2010

1. Don’t Break It 7:09
2. Don’t Break It (Kenny Glasgow And Jonny White Remix) 7:01

RA.217 Jef K


link:

http://ra3.residentadvisor.net/audio/RA217_100726_Jef-K-residentadvisor.net.mp3


The veteran Parisian DJ lays down an hour-long session of sumptuous bassline-led house music.

Anyone bothering to handicap the year-end polls of dance music that mattered in 2010 will likely need to slot in Parisian DJ Jef K's remix of The Gathering's "In My System" somewhere near the top. The track has stormed deeper dance floors this year, its infectious bassline a standby in discerning jocks' crates the world over.

K is a DJ first, though, honing his craft since the early '90s after a lengthy visit to the UK opened up his ears to the sound of US garage. K took "the vibes," as he puts it, to Paris and, in turn, became one of the city's most respected spinners, earning himself a residency at Rex Club in 1998. He brought Dixon to town for the Innervisions' head first gig outside of Germany, orchestrated Herbert's first live show in Paris and also held residencies at Frankfurt's Robert Johnson and Brussels' Fuse as well. All this in addition to running Silver Network and co-helming the beloved Crack & Speed imprint. Needless to say, the man's house bona fides are unquestioned. In his hour-long mix for RA, you'll begin to hear why.

What have you been working on recently?

I've been working on music recently, after the great feedback from The Gathering's "In My System." I now have a few tracks ready that I did with my mate Gwen Maze from Paris. I've also been touring around. I just came back from beautiful Croatia, and will be on my way to China in a bit.

How and where was the mix recorded?

It was one of those sunny Sunday morning sessions, after a good gig at Nouveau Casino in Paris. There was only me and my beautiful Korean queen at home. I pressed record and played good tunes for her.

Can you tell us a little about the mix?

I really enjoy playing slow. This mix starts at 117 BPM and finishes at 120. It's the best way to hear the basslines, which is to me (and others) the most important thing in music. The tunes were some of the best I had at the time.

Who was it that inspired you to become a DJ when you were in London?

I was a big fan of Paul 'Trouble' Anderson's shows on KISS FM. I was going out to where he was playing. I remember the Kinky Disco night at Shaftburry's was excellent as well. They were playing all the good tunes from labels like Strictly Rhythm, producers like Victor Simonelli and Joey Negro. Really underground US garage was the thing for me. I was also a big fan of Colin Dale's shows, and the pirate drum & bass shows had a great energy as well. I started buying records there, and started DJing in Paris when I came back in 1992, bringing the good vibes that I heard in London.

Up until now, you've focused on collaborations in the studio. Can we expect any solo productions anytime soon?

It's fun to work in the studio with a good mate. I like the exchange of ideas. I'm also not totally able to work all alone. My first try to do this was the remix of The Gathering. I did it on Ableton alone on my little computer (with, of course, the beautiful vocals from Chez Damier and good help from Chris Carrier for the sound quality at the end). It worked pretty well, so I'm in the process of doing more solo productions now. Stay tuned.

Has Crack & Speed now firmly been put to rest, or will it see a return?

Crack & Speed was, at the beginning, a good joke. It started in NYC with my man Holmar Filipsson and Jack from DIY. Then Sasse, AKA Freestyle Man, came on board really quick. We were really surprised about the great feedback we had, and even managed to have artists like Jay Haze and Abe Duque working for us on this label. After 15 releases we decided to stop it, and it's now in the vaults of many record collections I guess. No digital releases are planned and no more website, I think it's cool to keep it like that.

What are you up to next?

I am right now preparing the September releases with some yummie remixes of "In My System" on my label Silver Network (still going on since 1999, 27 releases so far), working on music, working on music, working on music and touring, hopefully DJing in a city near you soon.

miércoles, 21 de julio de 2010

No-ëllk AKA Elizabeth Carruther

No-ëllk el AKA de la diseñadora de Sydney Elizabeth Carruther.
Tien un gran estilo y gran talento, único diría.
Se puede ver en sus obras clao esta, hace diferentes tipos de diseños para ropa, revista, etc...
Espero les guste aquí les dejo su link:

http://cargocollective.com/no-ellk









Ellen Allien - Our Utopie

A little DYI clip by Berlin based photographer and motion designer Lisa Wassman. This is also the first single off Ellen Allien’s new album Dust - out on BPitch Control.

lunes, 19 de julio de 2010

RA.216 Mount Kimbie

link:

http://ra3.residentadvisor.net/audio/RA216_100719_Mount-Kimbie-residentadvisor.net.mp3

The London-based duo mix up influences and fresh material on this week's podcast.

Bursting onto the scene with their Maybes EP at the start of 2009, Mount Kimbie, the duo of Dominic Maker and Kai Campos, quickly impressed heads with their idiosyncratic takes on micro-garage, wistful downtempo techno and loping, twee dubstep. Their willingness to subvert such a multitude of genres gives them a sound unlike any other, skewing typical song structures but with a keen sense of melody.

This week heralds the release of their debut album, Crooks & Lovers, which sees Campos and Maker spread their loose and dreamy sound over a short but sweet 35 minutes. They've been busy touring with their current live set-up, recently playing at Berghain for Sub:stance's 2nd birthday, but this week's RA podcast sees the pair eschew the instruments for a specially tailored showcase of where their musical heads are right now. We shot them an e-mail to ask about the mix, plans for DJing in the future and their current live show.

What have you been working on recently?

Mostly we have been trying to improve our live set, bit by bit. It can be hard to find enough time to use everything we're learning between shows, but we're adding stuff all the time. Really looking forward to sitting down and writing some new music soon though.

How and where was the mix recorded?

The mix was recorded at Kai's house in South London using a laptop, a Kaoss pad, and for various technical reasons a 4-track tape machine and a field mic!

Can you tell us a little bit about the mix?

It's more of a collage - I wanted to show some stuff that has really had an influence but we don't often talk about, I guess. People ask about why or how we decided to make the music or 'the sound' that we have so far and it's always quite hard to answer and seems a bit weird. It's often hard for two producers to work together but I think we both were in the same place and had a similar idea of where we wanted to go artistically. This mix defiantly represents one side of that. In a sense each one of the songs (excluding our own) has been like someone you meet on the way to somewhere else, if that makes any sense, and I hope that all together they give a better sense of our movements over the last couple of years.

How have the live shows been going? Have you had any difficulty translating the more complex parts of the album into a live configuration?

The live shows have mostly been amazing. It's just a completely separate art and one that we're excited about and learning a lot about all the time. Some of our songs can seem impossible to play in an interesting way in our current set-up. We tend to change them a bit depending on the song and how we feel we can express it best in the live environment.

Did you have much input when it came to selecting the artists for the two remix EPs? What did you make of the results?

Yeah, we were asked, but it's a bit funny because my mind went kind of blank. I love the remix EPs. I didn't know how much I liked the Instra:mental remix until I heard it by chance a few weeks after it had come out, and it just hit me, and I always think that's a good sign.

An artist named Klaus seems to be a new collaborator for you guys, with an unreleased track here on this mix. What can you tell us about him?

Klaus is another guy from South London. He makes really beautiful music that's original and so well crafted. We met through James Blake. I think James was playing a really early beat or sketch that Dom had done and he really liked it, took it home, cut it up and made quite a bit of the track in the mix. Then I got him to send over some bits that he used and added more and another ending which got cut off in this mix. It was actually a really fun way to work and we'd like to do more with him soon. His MySpace is here.

What are you up to next?

Lots more gigs this summer. A couple of dates with The XX, US tour in September, then back to Europe for a bit. That should keep us busy for a while which is great, and then hopefully we'll have time to look back at 2010 and figure out where we want to go next.

jueves, 15 de julio de 2010

Merci sir Pichichix




Y gracias al profesor pichichix hubieron felicitaciones y hasta foto con el trabajo
pummmm pichichix asi fue
merci mon amie
(azul: JorgeR Villa .. rosa: Pichichix)

martes, 13 de julio de 2010

Totally Enormous Extinct Dinosaurs

This is the very good recommendation of my good friend Ed from London
Great sounds, nice vocals, good vibes, is just feels right hahaha

Esta es una muy buena recomendación de mi buen amigo Ed de Londres
Grandiosos sonidos , buenos vocales y buenas vibras , creo que es perfecto jajaja

lunes, 12 de julio de 2010

Johnny D @ Bar Americas 15 Julio



En hora buena, como hace un mes metí la pata maxin maxin diciendo mal la fecha de la fiesta de Johnny D , bueno ahora si ya seguro seguro.
Nos vemos ahi .... Música increíble (deep tech house) , y a bailar pummmmmmmm

RA.215 Magda

Link:

http://ra3.residentadvisor.net/audio/RA215_100712_Magda-residentadvisor.net.mp3

One of your top 10 DJs of 2009 pops in for a rare insight into her varied influences.

Magda is among the last of what seems like a dying breed, a DJ that has made a career based solely around their talents behind the decks. The Minus mainstay has put her name to a production or two, but the reason that she has been among yourfavourite DJs of the past few years has nothing to do with anything except what she puts forth in a live setting. Her 2006 mix CD, She's a Dancing Machine has come to represent a defining moment in Minus' rise to prominence, and her blend-happy mix for fabric last year once again showcased the possibilities of the form.

For her entry into RA's podcast series, Magda doesn't get quite as deep into the mix, instead opting for a more accurate representation of what you might hear from her at a private afterparty: Stone-cold bangers of recent and classic vintage. Letting things breathe, she puts together tracks from Black Devil Disco Club, Lindstrom, Chris and Cosey and ESG into something she simply calls "a fun summer mix." We wholeheartedly agree.

What have you been working on recently?

I have been working on an album and several remixes.

Your debut album has been in the works for quite a while now. How is it going?

Yes, it's finally finished and the release date will be announced in the next few weeks. I had so much recorded material from the last three years, and it all finally came together in the way I wanted so I'm happy.

How and where was the mix recorded?

I recorded the mix using Ableton while I was traveling and in my studio in Berlin. I had to clean up a lot of the old tracks and try to make them sound better in the mix. That was the hard part.

Can you tell us a little about this idea behind the mix?

I just wanted to make a fun summer mix, and something much different than I have done in the past. I used a lot of my favorite old post-punk/disco/electro tracks, many of which I would not be able to license for a DJ mix. It was really, really fun to put together.

As a performer, which style of DJing do you enjoy the most? More of a loop-based approach, or using your timecoded vinyl?

I do many edits, but in general I don't like to play loops. I like when tracks build and change. I prefer to only mix two things at a time. At the moment I still use timecode vinyl, but I am working on a new set-up for the fall.

You're known for your punishing tour schedule. Do you have any particular favorite spots to DJ, and why?

Haha, am I known for that? Punishing indeed, but it's fun! There are so many lovely places to play, and I'm happy to be able to play there. I have to say my nights in Germany at Robert Johnson and Loft Club have become my favorites. The atmosphere is small, dark and hot, and the crowd is with you the whole night. It's really fun to do long sets there.

What are you up to next?

I'm going to start working on a live show for next year. In the meantime, I'm going to do some remixes and a DJ mix for BBC radio in the UK.

viernes, 9 de julio de 2010

El Pulpo Ha Dicho!!



El famoso pulpo Paul hablo o bueno mas bien se movió de cubo , el controversial pulpo que radica en el país de Alemania , el día de hoy dijo que España será el próximo campeón mundial.
Por si no saben Paul es un pulpo con poderes , estos poderes consisten en que dentro de su pecera ponen dos cubos con las banderas de los países que se enfrenta en el mundial de Sudáfrica 2010 y en todos los partidos Paul escoge un cubo y se mete en el, lo raro de esto es que en todo los cubos que se ha metido han sido todos los equipos ganadores ; no ha tenido ningún error.
Todos sabemos que Paul es mejor que el perico ja!!!!

jueves, 8 de julio de 2010


El astro Dj Hell con su nuevo disco Body Language Vol.9 del label Get Psysical, tenemos una cancion de David Bowie para cerrar este majestuoso disco espero les guste..

link:
http://uploaded.to/file/g7nlw7/

Tracklist :

1. Christian Prommer – Sueno Latino (DJ Hell – All U Need Is Love Remix)
2. Baby Ford & EON – Dead Eye
3. Kirk Degiorgio – Nairobi (Carl Craig Remix)
4. Josh One – Contemplation (King Britt Funke Remix)
5. Will Saul & Tam Cooper ft.Ursula Rucker – Where Is It ? (Re-Loved Dub)
6. DJ Assassin – Face In The Crowd (Intellidread Mix)
7. Melody Boy 2000 – Monotone Fantastique
8. The Balanescu Quartet – The Robots
9. David Sylvian – Forbidden Colours
10. Depeche Mode – Esque
11. Die Voegel – Empire (Original Vs. Dixon Edit)
12. Club M.C.M. – Its Me Reinhören
13. Stereotyp – Take The Weight (Peter Kruder Vocal Mix)
14. Clara Moto ft. Mimu – Silently (Kirk Degiorgio Remix)
15. Che – The Incident (Wet Dream Mix)
16. DJ Linus – Are You Ready
17. Dollkraut – Loot (Original Version)
18. Adam Port – I Love You
19. Daniel Wang – Warped
20. Walter Murphy – A Fifth Of Beethoven
21. Klaus Schulze – Stardancer
22. DJ Hell – Germania
23. Dabid Bowie & The Pat Metheny Group – This Is Not America

martes, 6 de julio de 2010

Label of the month: Eglo


link:
http://ra2.residentadvisor.net/audio/1007-ra-lotm-eglo.mp3
you need QuickTime


The close-knit family behind the London imprint doesn't have an identifiable sound. But label bosses Alexander Nut and Floating Points like it that way. RA's Richard Carnes reports.

Just how many copies does a big record shift on vinyl nowadays? It's common knowledge that both legal and illegal digital distribution networks have heavily eroded physical sales. Independent labels are sometimes lucky to shift 500 records. With this in mind, I couldn't resist asking Sam Shepherd, AKA Floating Points, how well the shimmering cosmic house of the Vacuum EP had done after being showered with critical acclaim. A couple of thousand copies, maybe? "I think it's done about six, seven... eight? It's done loads. Even today, we're still pressing them," he enthuses.

It's an impressive start for the fledgling imprint: The Vacuum EP was only Eglo's second release. And it has given Shepherd and fellow label co-founder Alexander Nut a solid platform from which to build their roster. Speaking about their early successes, Alex comments that he was, "really pleasantly surprised, but at the same time, everything we do I feel very confident about. If it doesn't go amazingly well, cool, we did our best and we always put everything into it. Our heart and soul, [our] blood, sweat and tears, [our] HSBC."

Floating Points' own debut release kicked off the label, and although it didn't make quite the same splash as its follow-up, its soulful fusion of boom bap hip-hop and slo-mo house became a secret weapon for DJs happy to take their sets below the 100 BPM mark. Lead cut "For You" was actually the catalyst for Alex and Sam's friendship, with the pair hooking up after it had been played at Plastic People's midweek producer showcase, CDR. "I got 'For You' through the internet somehow," explains Alex. "When I was first playing it [on Rinse FM], it had no name on it, so I just used to say 'For You' when I announced it. I went to CDR a couple of times, and I'd seen the name Floating Points come up on the screen but I never made the connection.

"One day they played that tune, 'For You,' so I went up to Tony [Nwachukwu] and Gavin [Alexander, founders of CDR], and I was like, 'Where is he?' They pointed and said, 'He's over there. 'Where?' 'The guy in the glasses. There! He's there right in front of you, the guy in the glasses!' I was looking at him but I wasn't thinking that it was him, because it wasn't the guy that I had in my head. So I went and started speaking to him and he was a pretty crazy character and we got chatting. I was a big fan of his music and he'd been listening to the radio show as well, so then we just sort of developed a friendship from there."

Nut's gig on Rinse FM has been among the most important keys to the success of Eglo. "When I moved to London [from Wolverhampton in late 2003], I'd given up on doing a career based around music, or even the creative industries. I'd worked so hard from the age of 13 onwards expecting to do something in the West Midlands, and it just... try, fail, try, fail, try and fail; stuff just never happening." Having dipped into various music promotion jobs, he eventually decided to concentrate on his own career in music, soon receiving an offer of a trial at the then-pirate after his friend Charles Holgate (AKA MC Nomad) passed on one of his mixes to Geeneus and Sarah Lockhart.

"The first time I heard of Fatima, I remember it crystal clear," he gushes. "At first I thought it was a record, and I was thinking, 'Oh, this record is sick. This vocal is beautiful,' and I gradually clocked that someone was singing at the front, so I made my way to the front, saw that girl, and went and said, 'Hello, that was great.' Literally everywhere I went after, she'd pop up. We obviously had similar tastes." Fatima's ability to improvise and tailor her vocal delivery to all sorts of musical styles has been an inspiration for her collaborators: Her debut EP, produced by Eglo's future-boogie king FunkinEven, manages to cover breezy summer pop, woozy psychedelic hip-hop and colourfully off-kilter R&B.

Her forthcoming three-track 12-inch featuring Shepherd drops later this year. "She's turned into one of my best friends," says the producer. "We're all really close [at Eglo]. I've been working with Fatima since day one, but given that she's a friend, we'll turn up to the house and we'll just end up making cakes and eating pasta rather than making any music, or if we do, it's always something stupid...[a song] about pineapples and mangos," Shepherd laughs. "We've been a bit more serious recently, working on the EP together. I've been getting all this stuff like tape machines...There's a certain sound that I want to aim for with it."

London-based singer Shuanise is the less celebrated of Eglo's female contingent thus far, but you get the sense it's only a matter of time. Her soulful hip-hop stylings add plenty of vocal hooks to her heavily blunted backing tracks. "She really struck a chord with me," explains Nut, "being from a kind of hip-hop background, but being (at the time) quite different from the hip-hop scene in general, because it was getting quite stagnant. I'm not saying that there weren't people doing it, but what labels were putting out, and what nights were going on, they weren't very inspiring or interesting. Shuanise is just super hard working and, for me, at least, she doesn't really think of music like 'I wanna make this kind of record so it'll sell.' She's just makes really deep, soulful, spiritual stuff."

Once labels reach a certain level of popularity, there will always be the temptation to bring in bigger and more established names simply because it's possible, but Nut makes it clear that he sees Eglo as a platform for the undiscovered and the underappreciated. "I like it when music is kind of untouched. If there's another label putting their records out, I'm kind of like 'that's cool,' but Eglo is a fully fledged label. I don't want to compare it to anyone else, but Motown would discover people, take them through the development as artists and really put their all into working it; not just putting out the odd record here or there."

So what have Eglo got up their proverbial sleeves next? "The newest thing is this guy ARP101, who's another new producer. He's from overseas, but he's a London-based producer. At the moment, it's of more of a hip-hop kind of ilk, a lot of synths, drum machines... It's instrumental, but the level of musicality is not loops as basic kinds of things. It's not hip-hop in the way that it's meant for someone to rap over, but it's head nod music... I just love it! The first thing we're putting out is real synthy kind of stuff. Quite hardware. And then FunkinEven, man. He's great because he's got music which is already there, it's all ready to go."

From speaking to all of the Eglo artists, it quickly becomes apparent how close-knit they are both as friends and labelmates, playing off each other's respective strengths and influences to put a fresh spin on modern, soulful dance music. "We're doing this for ourselves, and it's about something. It's about heart and soul, and hard work," Nut stresses. "I wouldn't put out someone's music if I thought they were a prick. I'd happily buy music, and I'll play music by people who are pricks, but I'm not willing to work with any. So unless your worldly view is positive and something we kind of agree on... It sounds cheesy, but we're about putting love back into our community."

lunes, 5 de julio de 2010

Jamie Jones - Say What?

Can some one help me find this track?
I will appreciate

RA.214 Tevo Howard

Link:
http://ra2.residentadvisor.net/audio/RA214_100705_Tevo-Howard-residentadvisor.net.mp3
You need QuickTime

Chicago's latest house music export lays down a live session for this week's RA podcast.

Born and raised in the city that birthed house music, Tevo Howard caught the mixing bug at an early age via his older brother, taking advantage of easy access to his decks throughout his teenage years and securing residencies at local clubs by the time he was just sixteen. What with his father Rick—who also provides his earthy, downtrodden vocals to some of Tevo's music—having a career as a blues artist, music has always been in his family. Keen to learn more about the technical side of things, Tevo went on to get a degree in the subject, but it wasn't until 2005 that he started to get into production.

Just two years later, he'd started his Beautiful Granville imprint in order to showcase his work, quickly pricking ears amongst house music fans with his melodically rich drum machine workouts. The European labels were also listening: Rebirth and Rush Hour spread his name further across the Atlantic, paving the way for his first European dates earlier this year. With all his years of experience, he's a dab hand behind the decks, but he's equally adept playing live, which is exactly what you'll hear on this live session recorded especially for RA.

What have you been working on recently?

I have recently been working on a remixes with Justin Long and Melvin "Traxx" Oliphant for my label, Beautiful Granville Records. I am also in the process of producing a release with Kate Simko. I am proud to say that us Chicagoans are finally ganging up to lay some of our ideas on paper.

Where and how was the podcast recorded?

This recording was recorded at Beautiful Granville Studio. I chose to incorporate a TR-606 with a TR-707 and a 303 clone. The middles in the recording have all been exported from my main platform (Apple's Logic) and into Ableton Live, which both produces sound and controls the drum machines in time clock. All of the arrangement, then, is real-time recorded and mastered.

Can you tell us a little about the idea behind the mix?

For this mix I wanted to incorporate some of the older songs that I released, such as "Passion Sound (Inner Beauty)." I also wanted to keep the mix alive with excitement, while maintaining some of the original arrangements of each track. This was done by keeping to the higher frequencies, and bringing instruments in and out (for instance) according to the original arrangements of each track while performing this real-time arrangement.

You recently played some of your first live shows in Europe. Tell us some stories, good and bad.

I did find myself in hotels practicing for shows with my drum machines linked together. The funny thing is that I had the "Do Not Disturb" sign up 24/7 so that the hotel would not see how much electricity I was using through power strips. All and all this was a great tour, and I wouldn't change a thing about it. As my booking agent, Lerato Khathi from Uzuri Artist Bookings & Management, covered my butt on everything, I am proud to say, I made it home safe and learned a bit of the German language.

You're something of a writer. Tell us about some of your influences and what your own work is like.

I did write fiction for a seven year (give or take a year) period in my life. Nonetheless, I am scheduling to write my autobiography when I am able to have a few months to myself to do so. But, after getting my undergraduate degree from Depaul in 1999, I quickly fell in love with writing. After the long writing spell, I had finished five novellas and half of a novel. I do plan to sell some of these small fictional narratives at some point.

What are you up to next?

My next European tour is scheduled for early September, and I am full of confidence about where the tour will take me. The tour is titled "What Is Noise?," my booking agent and I are proud to announce.

Back Again!!!


De vuelta una ves mas por aquí gente..
Después de una buena visita cultural al Df , de ver a gente que se aprecia mucho y despues de vivir experiencias ya vividas en otros momentos de mi vida ( chistosas por si quieren saber jajaj)
una ves mas en GDL ; hermosa ciudad, donde la chicas son hermosas y la gente no es ta chakala ja ja.

Rolita aportada por mag... merci