JorgeR Villa - The Pumm Vol.2

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JorgeR Villa - The Pumm Vol.2 by JorgeR Villa

1. Thomas Froehlich - Get Us

2. Radiohead - Nude (Ripperton 9$ Remix)

3. Burnski & Robert James - Malibu (Jamies Jones Night Remix)

4. Solumun - Sisi (JorgeR Villa Edit)

5. Butch - No Worries (Daniel Stefaink Remix)

6. Taras Von De Vourde - 1998

7. Fausto Messina - Amor Lleno De Esperanza

8. WestBoy - What We Had In Mind

9. Sasse & Phonogenic -That Phylosophy Track (Prompt Remix)

10. Hermanez - Seagull

11. Di Caprio - Laila

12. F.E.X - Hedonism

13. The Golden Filter - Solid Gold

Una canción de los 70

Production by: Isabel Murillo, Jorge Iván Ríos, Lorenia Burquez

RA.233 ASC

Link to listen:

http://ra4.residentadvisor.net/audio/RA233_101115_ASC-residentadvisor.net.mp3

Unreleased goodies abound on this assured encapsulation of the Autonomic sound.

Divide by two. It seems so simple in retrospect. But what the producers centered around the "Autonomic" sound—Instra:mental, dBridge and ASC chief among them—devoted themselves to a few years ago has caused an enormous stir in the drum & bass community. It has also reenergized the aforementioned artists, resulting in some of the most indelible work of their (already) lengthy careers spent at 170 BPM. None more so than ASC, AKA James Clements, whose recent album Nothing Is Certainwas termed "mature club music of the highest caliber" by RA's Max Bacharach. A distinct break from his more traditional drum & bass of the early '00s, Clements' recent work has shown him embracing a whole new world of possibility. With his RA podcast, he showcases a peek into the future of the Autonomic sound.

What have you been up to recently?

My LP, Nothing Is Certain, is out now on NonPlus+ and doing really well, which I'm very happy about. My first release on my new label, Auxiliary, also recently came out and is doing the rounds, and finally my soundtrack library Music for Pictures was also released recently.

How and where was the mix recorded?

I recorded the mix in my studio using Ableton. I had started toying with the idea of putting it together in a more conventional method, but because of my vision for the mix, I decided that Ableton would give me more control of the overall idea and planning.

Can you tell us a little bit more about the idea behind the mix?

The idea was to showcase what's become known as the "autonomic" sound at the 170 BPM tempo. I wanted the blends and mixes to be long transitions, blended in key, with up to three tracks playing at any one time in some parts of the mix.

Format:B – Gospel (Incl. Super Flu Remix)

Great Release.

Link to Download.

http://uploaded.to/file/5wroef/

By JorgeR...

Label of the month: Night Slugs

UK bass music is ever-changing, and Bok Bok and L-Vis 1990's new imprint is at the forefront of its most recent mutation.

You're no longer feeling your local music scene. Do you a) bitch about it, or b) do something about it? "We wanted to bring on a new era and that is what we were saying from the get go," says Alex Sushon, AKA Bok Bok, on the inception of the Night Slugs parties back in early 2008. Sushon and partner James Connolly, AKA L-Vis 1990, have since translated a sense of personal disquiet into one of London's freshest sounding parties and 2010's most celebrated labels

Link to Listen:

http://ra4.residentadvisor.net/audio/lotm/1011-ra-lotm-nightslugs.mp3